Lessons Learned after 26+ Years of Touring | Brian Frasier-Moore, Drummer for Justin Timberlake

What to Look for in a Great Mentor | Ben Bradley, Drummer for Brett Kissel

The Reality of Getting Paid as a Drummer | Kevin Murphy, Drummer for Tonic, Jon Pardi, Randy Houser | Pt 2

Is Country the New Rock? | Kevin Murphy, Drummer for Tonic, Jon Pardi, Randy Houser | Pt 1

Maintaining Relationships With Your Artists | Jeremy Kleynhans

How To Deal With Being the New Guy | Alex Torjussen, drummer for Niall Horan

Drumming in a Comedy Show | Elie Bertrand

Key Concepts for Building a Niche Brand | Ramy Antoun, Founder of A&F Drum Co

Building Your Music Career Backwards Pt. 2 | G. Maxwell Zemanovic, Drummer for Miranda Lambert

Building Your Music Career Backwards Pt. 1 | G. Maxwell Zemanovic, Drummer for Miranda Lambert

Cymbal Design & Innovation | Paul Francis, Director of Cymbal Innovation at Zildjian

Playing For a Rapidly Growing Artist | Rhett Noland, Drummer for NF

Performing With Truth | Gerry Morgan, Drummer for James Bay

Approaching Drums as a Multi-Instrumentalist | Robbie Crowell, Drummer for Midland

How Touring Can Make You a Better Person | Nikki Glaspie

Business Insights for Touring Drummers | Sahir Hanif, Masters of Maple Drums

How a Career Develops over Twenty Years with the Same Band | Riley Breckenridge

Becoming Your Own Drum Tech | Kenny Sharretts

Why Drummers Need to Know the Lyrics | Brook Alexander, Drummer for Julia Michaels

Surgical Listening VS Big Picture Listening | Dylan Wissing